muffle-toed in holy Mary's churchyard a nine nest rookery rocks queasily topping off the bare brazen beech congregants wend the wayward path below to the great carved door, bowed by wet west winds or a North-easterly that comes gusting round medieval mildewed stones biting through to all the human bones the grave-groping root-grubbing builders have done with twig and twine revivals cacophonous grumblings of whose is what and what is where, dark-vowelled now still as sylphs, the pair-bonds stand sentinel or sit before the births, bloody gash of gaping mouths plundering down to a white-faced hunger for worms and fledgling flesh lark-high in the belfry's humming hymnal the baked-earth chimney stacks, Jack black daws bicker and twitter in fast flowing flights of fancy on an adjacent thorn, a crow couple, flint-eyed and steely strop their beaks to a clean, fine edge dusk settles hush-hush on sloe-eyed April and two bell-voiced birds ascend to evensong in one long dust-tongued decaying duet
For further reading, here are the poetry sources for the title of this poem & six of Thomas’ word-compounds that I used:
a world of wings & cries ~ Being but Men
muffle-toed ~ After the funeral
grave-groping ~ The seed at zero
dark-vowelled ~ Especially when the October wind
lark-high ~ Into her lying down head
bell-voiced ~ Altar-wise by owl-light
dust-tongued ~ It is the sinner’s dust-tongued bell
I’m guest hosting this Tuesday Poetics and my challenge is to write a poem with at least four of the given word compounds that Dylan Thomas employs in his poetry. Join us in Love the Words
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