I was working an antidote to a friend as far as Berlin, to a boarding house, furnished rooms, to the Registry to be married, to a studio apartment. Later to the school, boys would remove, to demonstrate the end to the fastidious past, to be launched into a place, to enact spilled blood, to insist history's read as allegory. To catch sight of nothing but our skin
I was working
in a bookstore and asan antidote tothe twin torment ofexhaustion and boredom, one day I went witha friendon a walking tour. We made itas far as Berlinand there I met the man I would move withto a boarding house,thento furnished roomsin the flat of a civil servant, and from there one morning in Januaryto the Registry to be married.Afterward we movedto a studio apartmentand two yearslater to the schoolwhereboysreturning from the warwould removetheir collars and sew them back on with red threadto demonstrate the endof their allegianceto thecruel andfastidious past.Everyone wantedto be launched into a placefrom which you could look back and ask whether the red was also meantto enact spilled blood.You could say so, but only if you wantto insistthathistory’sminutia is bestread as allegory. The fact is, history didn’t exist then. Each day was a twenty-four hour stand-still on a bridge from which we discretely looked into the distance, hopingto catch sight ofthe future. It’s near where you’re standing now. One day we were lying in the sun dressed innothing but our skinwhen a camera came by and devoured us.
“Two Nudes” Copyright © 2015 by Mary Jo Bang
An erasure poem from “Two Nudes” by Mary Jo Bang for dVerse’s Open Link Night where unprompted anything goes. (Listen to Mary Jo Bang explain the photo origins of her poem)