From Ramillies street to London’s square mile, the city’s architecture is always conversing in convergence with the new.

And Eric Dean Wilson’s essay on diptychs encapsulates what I try to achieve in these ‘double take’ montages:

” perpetual motion drives the diptych. A dialogue emerges, something like a silent Platonic dialogue, in which ideas are presented, expounded with evidence, challenged, and left unresolved.”

^{The American Reader ~ Regarding Diptchys}

Twosome for Tuesday: diptych in an almost seamless duologue of consensual interaction