From Ramillies street to London’s square mile, the city’s architecture is always conversing in convergence with the new.
And Eric Dean Wilson’s essay on diptychs encapsulates what I try to achieve in these ‘double take’ montages:
” perpetual motion drives the diptych. A dialogue emerges, something like a silent Platonic dialogue, in which ideas are presented, expounded with evidence, challenged, and left unresolved.”The American Reader ~ Regarding Diptchys
Twosome for Tuesday: diptych in an almost seamless duologue of consensual interaction
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