Acting my Age in Autumn

How foolish was I last June
still clinging to a love of Spring.
All those maniacal mating months
acting like some May Queen Mary
apple-blossom cheeked
crowned with Chervil and Hawthorn
in a frock frothed white.

How clean and cold and clinical!
Those chromas all outshone by lurid tints
by gamboge, philamot, carnelian,
the gold of an October, bright with sunlight
as the young, the hot blooded,
take wing for Africa. Their leaving
makes the month quite mellow.
And still there is no blue
as blue as a November sky, the trees
gleeful with frost, crisping the last leaves
and the air. Then I too breathe deep
and sigh with satisfaction.

How foolish all that looking back,
the past just frozen snapshots, impressions
memorized as imprints on the eye.
All my soul's desirings are here,
now, in this season of feuille morte*
  • gamboge – leaves with a vivid yellow pigment as from a resin from an Asian tree
  • philamot – derivative of feuille morte -a yellowish-orange-brown colour of dry leaves
  • carnelian – leaves having a reddish-orange or brownish-red, like the colours often found in the quartz by that name
  • feuille morte – literally dead leaf as per colour – see pronunciation

30 thoughts on “Acting my Age in Autumn

  1. I love both poems, Laura, but I really like the tone of the original, the looking back and the ‘past just frozen snapshots, impressions / memorized as imprints on the eye’. What I love about the palinode is the quiet lanes foaming at the mouth with birdsong ‘froth-full of petal and wild chervil’, it’s such a familiar image!

  2. WOW! Well both poems are remarkable! The second one, I think, is too beautiful to be a lie!!! Truly, these are both just gorgeous.

  3. Love these lines: “Their leaving
    makes the month quite mellow.
    And still there is no blue
    as blue as a November sky”

    “How foolish all that looking back,
    the past just frozen snapshots, impressions
    memorized as imprints on the eye.”

  4. Laura, I knew the yellow of autumn ginkgo leaves was special but didn’t know what it was called. I shall remember gamboge. Lovely writing and you lead the way with your poems as example. 

  5. Love both of the poems, but especially that they are in conversation with each other. Also have to second what others said, and thank for all the new names of hues and shades I’ve learned from the poem.

  6. Our poems become true only when we’re dead … for now, starting out and revising course are the only hints of veracity we get. Sometimes it happens in a poem, sometimes between poems, as here. Revising can mean rehearsing differently or reversing completely, both equally useful in getting into the next room of the dream. Great challenge and response here.

  7. Thank you for the neat form type prompt, I enjoyed writing for it and am hoping that I did it correctly. Until I got to the end verse I was thinking Hallucinations and Delusions. 

    ..

    1. p.s. For a long time long time my Norton anti-virous had shut you out with a big red page. But now it’s okay, dunno why. 

      ..

  8. Oh, wow! The gardener in you comes to the fore and how! I love all the colours and seasonal references and the closing stanzas of both the poems are spectacular. You show us how a palinode should be written.

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